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Direct Response Writing Styles - Radio vs Print
by Dan O'Day (http://www.danoday.com)

Are you using a Direct Mail writing style in your Radio Commercial? Those two media require different writing styles. Yes, they are both Direct Response, but they work differently.

In a crowded tavern, when you want a refill you might yell, "Hey, another Molson over here!" In a refined wine bar, however, you might signify your desire by lifting a finger and arching an eyebrow.

Am I suggesting that radio somehow is more "refined" than Direct Mail? No. But it's more personal. It's an attempt to engage the targeted consumer in a conversation -- literally. Even the best-written print piece can accomplish that only figuratively, not literally.

You can shout more in a print ad -- big, bold headlines; extreme graphics, etc. -- because the reader controls the reading experience.

Yes, a print ad or Direct Mail piece can be designed in a way to maximize the likelihood that the reader's eyes first will be attracted to the photo, then to the headline, then to the glowing testimonial. But the reader still maintains the ultimate control and can ignore the graphic or the guarantee and search out the offer or whatever they're most interested in.

But to hear the sales message delivered by a radio commercial, the targeted consumers must listen in the exact order that you are presenting the information. If they don't like the way you're talking to them -- due to your tone of voice, style or speed of delivery, or -- worst of all -- because your message seems irrelevant to them -- then they will tune you out and never hear the rest of what you have to say.

So to begin your spot with something like "Weight Loss Recruits Needed!" is to begin not by talking to your target audience about something they care about. Instead, it begins by shouting at them (or "announcing" to them).

Excerpted from The Dan O'Day Radio Programming Letter
Copyright 2004 by Dan O'Day. Reprinted by permission of the author.
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